Professor Terence T. Lee

This book provides a broad overview of the theory and practice of creativity and innovation. It is an interdisciplinary study that synthesizes the popular, complex and contemporary discourses on the topic. The approach of the book is centred on praxis, that is, it is grounded strongly in research-based theories, but aims to offer ideas on how to apply creativity and innovation in the everyday context. The authors present an expansive and well-informed perspective on creativity and innovation that transcends any single discipline or specialist area, making the book accessible, readable and memorable. Above all, the reader will be able read the book with a high degree of ease, grasp and retain key and critical concepts of creativity (and the creative process) and innovation (and the innovative process) as well as consider ways of applying them in their everyday lives across all vocations and professional contexts.

This book critically reflects on Singapore’s 50 years of independence. Contributors interrogate a selected range of topics on Singapore’s history, culture and society – including the constitution, education, religion and race – and thereby facilitate a better understanding of its shared national past. Central to this book is an examination of how Singaporeans have learnt to adapt and change through PAP government policies since independence in 1965. All chapters begin their histories from that point in time and each contribution focuses either on an area that has been neglected in Singapore’s modern history or offer new perspectives on the past. Using a multi-disciplinary approach, it presents an independent and critical take on Singapore’s post-1965 history.

For Singaporeans, the year 2015 will be remembered for its grand celebrations of the nation’s 50th year of independence (SG50), as well as the demise of founding Prime Minister Lee Kuan Yew. It was also the year the PAP government recaptured its electoral hyper dominance at Singapore’s 13th General Election held on 11 September 2015. This volume analyses the unexpected results of yet another historic election and considers why a change in voting ensued after the ‘watershed’ polls in 2011. Sixteen well-regarded scholars and political observers uncover the key issues raised and evaluate the impact of the 2015 general election from the perspectives of law, history, politics, media, culture and sociology.

In the conclusion to The Rise of the Network Society, the distinguished professor of sociology and communications Manuel Castells wrote: Our exploration of emergent social structures across domains of human activity and experience leads to an over-arching conclusion: as an historical trend, dominant functions and processes in the Information Age are increasingly organized around networks. Networks constitute the new social morphology of our societies, and the diffusion of networking logic substantially modifies the operation and outcomes in processes of production, experience, power, and culture. While the networking form of social organization has existed in other times and spaces, the new information technology paradigm provides the material basis for its pervasive expansion throughout the entire social structure (Castells, 2000: 500)...

This book explores this inherent contradiction present in most facets of Singaporean media, cultural and political discourses, and identifies the key regulatory strategies and technologies that the ruling People Action Party (PAP) employs to regulate Singapore media and culture, and thus govern the thoughts and conduct of Singaporeans. It establishes the conceptual links between government and the practice of cultural policy, arguing that contemporary cultural policy in Singapore has been designed to shape citizens into accepting and participating in the rationales of government. Outlining the historical development of cultural policy, including the recent expansion of cultural regulatory and administrative practices into the ‘creative industries’, Terence Lee analyzes the attempts by the Singaporean authorities to engage with civil society, the ways in which the media is used to market the PAP’s policies and leadership and the implications of the internet for the practice of governmental control. Overall, The Media, Cultural Control and Government in Singapore offers an original approach towards the rethinking of the relationship between media, culture and politics in Singapore, demonstrating that the many contradictory discourses around Singapore only make sense once the politics and government of the media and culture are understood.

This book analyzes the relationship between political power and the media in a range of nation states in East and Southeast Asia, focusing in particular on the place of the media in authoritarian and post-authoritarian regimes. It discusses the centrality of media in sustaining repressive regimes, and the key role of the media in the transformation and collapse of such regimes. It questions in particular the widely held beliefs, that the state can have complete control over the media consumption of its citizens, that commercialization of the media necessarily leads to democratization, and that the transnational, liberal dimensions of western media are crucial for democratic movements in Asia. Countries covered include Burma, China, Indonesia, Malaysia, Singapore, Thailand, the Philippines and Vietnam.